Wetenschappelijke publicaties

2017

• Music in the Camps, in Testimony Between History and Memory, 124 (2017), p. 49-55.
• Writing Music (and Music History): Referential Ramifications in Claus-Steffen Mahnkopf's Kurtág-Zyklus, in Tempo: A Quarterly Review of Modern Music, 71, 279 (2017), p. 18-37. (co-author Daan Janssens).

2016

• Multi‐Temporality: an Analytical Approach to Contemporary Music, Embracing Concepts of Gilles Deleuze and Félix Guattari, in Music Analysis, 35, 3 (2016), p. 341-372.
• Static Structure, Dramatic Form. An analysis of Elliott Carter’s Concerto for Orchestra, in Perspectives of New Music, 54, 1 (2017), p. 97-136.

2015

• Instrumentation and register as form-articulating features in Elliott Carter’s Concerto for Orchestra, in Music Theory and Analysis, 2, 1 (2015), p. 102-110.

2014

• co-editor (with Pieter Bergé, Kristof Boucquet & Jan Christiaens) of EuroMAC2014, Eighth European Music Analysis Conference (programme book and abstracts book)

2013

• Multi-temporality. Analyzing simultaneous time layers in selected compositions by Elliott Carter and Claus-Steffen Mahnkopf – doctoral dissertation KU Leuven

2012

• Multi-temporality in Medusa-Zyklus and Kurtág-Zyklus, in Zehentreiter, F. (ed.), Die Musik von Claus-Steffen Mahnkopf, Hofheim, 2012, p. 88-103.
• Elliott Carter's Structural Polyrhythms in the 1970s: 'A Mirror on which toDwell', in Tempo: A Quarterly Review of Modern Music, 66, 261 (2012), p. 12-25.
• Tempo und Zeit als kompositorisches Problem in serieller und postserieller Musik. Eine theoretische Untersuchung mit analytischen Beispielen von Gottfried Michael Koenig (Klavierstück II aus den Zwei Klavierstücken, 1957) und Brian Ferneyhough (Opus Contra Naturam, 2000), in Musiktheorie, 27, 4 (2012), p. 341-363. (co-authors Mark Delaere, Maarten Quanten)

2011

• review of Joseph N. Straus, Twelve-Tone Music in America, in Dutch Journal of Music Theory, 16, 2, 2011, p. 155-156.

2009

• Complexity as Compound Simplicity. Elliott Carter’s Esprit Rude/Esprit Doux, in Belgisch Tijdschrift voor Muziekwetenschap, 63 (2009), p. 147-161.